Photo courtesy of Nasty Little Man Productions

by ERIN DONAGHUE

Arcade Fire surprised the music world with its 2004 debut album, “Funeral.” The band’s subtle blend of orchestral sounds, poppy synthetics and driving guitar riffs made music followers sit up and say, “Who are these guys again?” Rarely does a new band rock out with such sophistication in its first album, but “Funeral” was undoubtedly successful, and critics noticed. The album steadily climbed the charts and gained a devoted following. By 2007, the group’s members were indie rock superstars.

This spring, the Montreal music monarchs are striking again with their highly anticipated second album, “Neon Bible.” This time, the group ventures into Bruce Springsteen-style blues and country riffs, but it adds a unique twist. Cowbells, organs and a touch of dark atonal melody seem like odd counterparts to the album’s classic American rock feel, but the band pulls it off beautifully. And it’s not surprising. It’s band members’ ability to marry so many different sounds that gives the music its signature full-bodied flavor.

For upbeat rock songs that you can jump around to, check out “Keep the Car Running,” “AntiChrist Television Blues” and “The Well and the Lighthouse.” For slightly darker, introspective music to muse to, check out “Ocean of Noise” and the title track, “Neon Bible.” Arcade Fire fans will appreciate “No Cars Go” because the track rocks out in an anthem-like style that is reminiscent of the band’s debut album.

Like a fine wine, Arcade Fire’s music is subtle, sophisticated and gets better with age. Give the album a month or so, and it will take its place alongside “Funeral” as a classic.

If you like Arcade Fire’s second album, check out these acts:
For an edgier sound: “Apologies to Queen Mary” by fellow Montreal band, Wolf Parade.
For a mellower sound: “Gulag Orkestar” by New York music prodigy Beirut.